BIOS:
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Laurence Andries
Laurence Andries, a graduate of New York University's School of the Arts,
has been writing professionally for eleven years. In 1993, while in his
second year of Walt Disney Picturesí New Writers Fellowship Program, Laurence
wrote the courtroom drama, "Kangaroo Court." Starring Gregory Hines and
Michael O'Keefe, the film marked actor Sean Astin's directing debut. ìKangaroo
Courtî was nominated for a 1995 Academy Award for Best Live Action Short.
Since, 1996, Laurence has written an eclectic mix of hour drama television.
His series credits include: 1996. Story editor. ìDangerous Mindsî ABC/Touchstone
1997. ìExecutive Story Editor. ìPreyî ABC/Warner Brothers 1998. Co-Producer.
ìMillenniumî FOX/20th-Century Fox 1999. Producer. ìHoop Lifeî Showtime/Levinson-Fontana
Productions 2000-2002 Producer/ (currently) Supervising Producer. ìSix Feet
Underî HBO/Greenblatt-Janolllari Productions
Tom Leeser
Tom Leeser is currently Program Director of Cal Arts Integrated Media
Dpeartment and Previously he was a Visual Effects Supervisor/Art Director
with Academy Award winning film production studio Rhythm & Hues, whose
credits include the Empire Strikes Back, DragonSlayer, Poltergeist, Mouse
Hunt, and Mystery Men. Tom is also an independent artist whose work began
with 16mm film, migrated to video and transformed itself into a composite
of architecture and digital image installation. His projects have been
exhibited at, among others, Videobrasil: Festival Internacional de Arte
Eletronica and Siggraph.
Patti Podesta
Production Designer Patti Podesta's feature credits include Memento for
director Christopher Nolan. An interview regarding her design of the film
is included in The Making of Memento, published by Faber and Faber. Other
feature films include two with director Gregg Araki, Nowhere and Splendor
and the upcoming Scorched. Her television work includes the new television
series called Septuplets, a drama for Fox Television; Kathy Griffin's
So-Called-Reality and the soap/novella Spyder Games for MTV. She has also
designed commercials, main title sequences, music videos and an interactive
CD-Rom project. Ms. Podesta's background is in art and she received an
MFA from the Claremont Graduate School. Her experimental film and video
works have been screened at the Museum of Modern Art, the Rotterdam Film
Festival, the American Film Institute National Video Festival, the Pacific
Film Archives and recently at LACMA and UCLA Hammer Museum. These works
include A Short Conversation From The Grave With Joan Burroughs and A
Glory. Podesta received awards and grants for her films; three from the
National Endowment for the Arts, two from Art Matters, Inc., the Western
States Regional Media Award and the James Phelen Award in Film She co-founded
the video exhibition program at L.A.C.E. (Los Angeles Contemporary Exhibitions)
and in 1986 was director of the project Resolution: A Critique of Video
Art for which she edited a publication by the same title. Podesta has
been a member of the Graduate Art Faculty at Art Center College of Design
for over 10 years and teaches the experimental Art/Film class.
Lynn Spigel
Lynn Spigel is a Professor currently at Northwestern University and at
formerly at the USC School of Cinema/Television who has written extensively
on film, television, and popular culture. She co-edits Camera Obscura:
A Journal of Feminism and Film Theory. Her recent works include: Make
Room for TV: Television and the Family Ideal in Postwar America (U. Chicago
Press, 1992) and Welcome to the Dreamhouse: Popular Media and Postwar
Suburbs (Duke Univ. Press, 2001).
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BIOS:
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Vince Cheung
Vince Cheung is better known as the Rice half to Ben Montanioís Beans
in the comedy writing team of ìRice & Beansî. Together, they have written
for television shows such as: Married With Children, The Steve Harvey
Show, Roc, Empty Nest, Night Court and Growing Pains. While attending
UCLA, Cheung was a struggling pre-med who opted to try his hand at stand-up
comedy instead of cramming for organic chemistry. After some open-mike
stints at the Comedy Store and Ice House and not becoming a cardiologist,
he became a page at NBC in Burbank and got an internship in the network
Story Department where he became a script reader and immersed himself
in the executive track. He later moved to ITC Productions as a development
executive where he met Montanio who was a production executive. There,
they forged a bond working on low-budget features. In the wake of the
1988 writers strike, they were put in charge of a film where they had
to fire the original director and writer. They did a full rewrite in a
single weekend, and thatís when the writing bug hit them, inspiring them
to form their own company, Rice & Beans Productions. Cheung and his partner
are currently consulting producers on the new WB comedy series, Greetings
From Tucson about growing up in a bi-racial, working class family.
Erin Aubry Kaplan
Erin Aubry Kaplan is a staff writer and columnist ("Cakewalk") for the
LA Weekly who writes frequently about race, media and culture. She is
a 2000 fellow in the Sundance Institute's Creative Nonfiction Writing
Program, and the winner of PEN USA West's 2001 journalism award. She has
also worked as a reporter for the Los Angeles Times and was an original
staff writer for New Times Los Angeles. Her essays have been widely anthologized.
Lisa Nakamura
Lisa Nakamura is Assistant Professor of English at Sonoma State University,
where she teaches Postcolonial Literature and Theory. Her book Cybertypes:
Race, Ethnicity, and Identity on the Internet is forthcoming from Routledge
in the Spring of 2002. She co-edited Race in Cyberspace (Routledge, 2000)
and her work appears in "The Cybercultures Reader," "Race in Cyberspace,"
"Unspun: Key Terms for the World Wide Web," and "The Visual Studies Reader."
Her research focuses on the ways that Internet user interfaces enforce
menu-driven racial identities upon users, as well as cross-racial role
playing and identity tourism or "passing" in online social spaces. She
is also interested in the ways that contemporary films such as Blade Runner
and The Matrix depict race in relation to technology and the Internet.
Several of Nakamura's papers are available online, including: "Race In/For
Cyberspace: Identity Tourism and Racial Passing on the Internet," "Keeping
it (Virtually) Real: The Discourse of Cyberspace as an Object of Knowledge,"
and "After/Images of Identity: Gender, Technology, and Identity Politics."
Chon A. Noriega
Chon A. Noriega Professor of Film, Television & Digital Media at UCLA
and Director of UCLA Chicano Studies Research Center Critical Studies
Assistant Professor Chon Noriega was featured on the MSNBC show Edgewise
about the work of Raphael Montanez Ortiz, a central figure in the Destructivism
art movement. Noriega guest-curated an exhibition on the artist at the
Whitney Museum of American Art. Additional stories appeared in the New
York Times and New York magazine.
Garth Trinidad
Garth Trinidad is known by most as host mysterioso of KCRW's Chocolate
City. For 7 years he's shared a most unique of black musical visions on
air, receiving awards and accolades from press and peers for radio and
live achievements, tasting worldwide exposure with KCRW's growing internet
audience, and having programmed music for United Airlines and Amtrak.
Along with capitalizing on his adam's apple in the world of commercial
voiceover, heís recently formed a music production company and is writing,
arranging, and remixing a small roster of artists, including Sheree Brown.
Continually looking for the perfect beat, Garth spins records as a resident
deejay at various parties around town, including Soundlessons, a monthly
event 3 years running at downtown's Central City Café
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